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Trained in cabinetmaking with the Compagnons du Devoir, I acquired over nine years of rich and varied experience in the craft. I worked in different sectors: furniture, interior design, carpentry, restoration, as well as within very diverse structures – from ultra-luxury to family businesses. I also complemented this background with numerous trainings: installation, CNC tools, and the management of small and medium-sized enterprises.
Alongside this highly technical background, I have always been engaged in more creative projects, whether in the creation of furniture pieces or spatial design. Today, I continue this path by studying Craft Design at the Gut Rosenberg Academy in Aachen. This program allows me to explore my creativity through other media such as drawing and photography, while also engaging with different skills and materials.
My vision of creation is the result of these two complementary paths. I value the beauty of technical processes, the understanding of tools, and the traces they leave on a piece of work. But above all, I have a deep respect for the material itself. My experience has taught me that neither hand nor tool can impose anything on it permanently. In my creations, I seek to engage in dialogue with the material and let my projects evolve according to the characteristics of the pieces I work with.
Through my research on the Japanese technique of charred wood, I discovered the principles of wabi-sabi.
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“Wabi-sabi is the beauty of things imperfect, impermanent, and incomplete. It is the beauty of things modest and humble. It is the beauty of things unconventional.”
Leonard Koren
This philosophy influences my creations and drives me to infuse them with meaning that resonates in daily life, beyond their mere utility.