Trained in cabinetry with the Compagnons du Devoir for 7 years, I had the opportunity to discover the various facets of the trade. Always seeking to diversify my experiences, I have worked in all types of structures. Small artisanal companies have increased my sense of responsibility and autonomy, while large companies have taught me excellence, attention to detail, and organization.
I have enjoyed working in various sectors: Fitting, restoration, installation, carpentry, and solid wood furniture.
The various trainings I have undergone have also allowed me to complement this technical background. In addition to the traditional cabinetry training (CAP and BTM), I have trained in installation, programming of CNC machines, as well as the management of a small business.
To counterbalance this very technical training, I have regularly dedicated my free time to the realization of more creative projects. I have created pieces of furniture (glued laminated bench, burned wood chessboard, split wood coffee table) as well as an interior design study for a communal space in a collective housing and a thesis on burned wood.
These different projects have allowed me to explore the process of creation and open up to another vision of furniture and materials.
What matters to me in creation is the material. I have discovered how, by giving it a central role, the creative process develops around it rather than trying to constrain it to fit an abstract idea.
I also like to place the human at the heart of my projects. I believe that objects have an impact on the daily lives of the people who use them, and I want to adapt them to their needs but also give them a meaning, a resonance that goes beyond their simple utility.
I believe that artisanal design encompasses these two notions: technical mastery of the material and consideration of the user's needs.
That's why I would like to further my education at Gut Rosenberg Academy, specialized in this subject.